Countdown to Age of Ultron: Iron Man 3 Revisited

Dave and I took a bit of a break to watch Daredevil (Dave finished it, I am less than halfway through). But now we are back to watch the final four movies leading up to Age of Ultron! Just in time for spring, 2013, it's the Iron Man Christmas movie!

Buds.

Buds.

RG: I found it sort of hard to write about Iron Man 3 even though it is fantastic and I love it. I think mostly because it's the third damn Iron Man movie and there are only so many ways I can say Robert Downey Jr is awesome and I love this character.

Quick question, Dave: when you hear the words 'Iron Man' do you think of that kid who came into Strange Adventures years ago and sang "I am Iron Man, killing all the fat kids with my hands" to the tune of Black Sabbath's “Iron Man”? Because I sure do.

DH: I think of that kid and his song often, and fondly. And I think it was “Punchin’ out fat kids with my hands”, which is even funnier somehow.

RG: Either way, it was one of the highlights of my life.

Where I had been suffering from Iron Man fatigue going into The Avengers, I went into this movie full of excitement to see a new Tony Stark story. The Avengers had reignited my love of the character, and I knew within minutes of watching Iron Man 3 that this movie was going to be great. I think the moment was probably when “Blue” by Eiffel 65 played over the flashback scene. That got a huge laugh out of me. Perfect choice to bring us back to 1999/2000.

Tony is kind of rocking a Mia Wallace look too.

Tony is kind of rocking a Mia Wallace look too.

DH: I’m also a big fan of Happy Hogan dressed like Vincent Vega in Pulp Fiction. And a big fan of Rebecca Hall in general. One of the only false notes in this movie, for me anyway, is our introduction to Aldrich Killian as a nerdy inventor who idolizes Tony and, when rebuffed, turns to supervillainy. It’s a bit too much like the Riddler in Batman Forever (or, to use a later example, Electro in The Amazing Spider-Man 2).

RG: Just wanna say, though, Guy Pearce was awesome in this movie. Once he’s full villain he is extremely evil. And I love how Miami Vice he looks. Not only because he’s in Miami, but because it kind of fits with what a total nerd who gets rich might think he should dress like.

"I've been waiting for this moment for all my life. Oh lord."

"I've been waiting for this moment for all my life. Oh lord."

DH: There were three years between this movie and Iron Man 2, and that’s worth noting because there were only two years between the first and second film. I think based on how Iron Man 2 turned out, it’s safe to say that three years is the absolute minimum amount of time needed to turn around another film in a series. Or at least, to make sure it’s a good one. Although I just realized Captain America: Civil War is coming out only 2 years after Winter Soldier--fingers crossed that Marvel has got this sequel game figured out by now. They certainly seem to have it down.

After The Avengers, I remember thinking, “This is as good as it’s gonna get. They can’t possibly maintain this momentum, we’ve seen the peak, it’s all downhill from here.” I was happy to be proven wrong. I’ve enjoyed every movie Marvel has cranked out since.

RG: Yes! I actually think it's a toss-up if I like this movie more or less than The Avengers. I really,  really love it. And Winter Soldier is my favourite of the bunch! Although, I am a little concerned about this upcoming Civil War movie. It seems rushed. I dunno.

The phrase “You Know Who I Am” gets repeated a lot throughout this movie, which is fun because there are so many bait-and-switch moments that we don’t really know who anyone is. There are lots of twists and reveals with characters throughout the movie, and there are so many Iron Man suits that the audience, and the characters, often don’t know who, if anyone, is inside them.

DH: This is a movie that genuinely surprised me a number of times, which is not always something that happens in these big tentpole genre movies. I mean, I love them and all, but you can usually figure them out pretty quickly if you’ve seen enough of them.

Totally sane.

Totally sane.

RG: Following the flashback, we see a slightly crazed Tony building robot suit after robot suit. We get to see his robot pal, Dummy, again, much to my delight. Dummy is wearing a dunce cap, because Tony punishes his robots and I love that so much.

So, it's quickly established that Tony is living an isolated, pretty unhealthy life these days with no sleep and talking mostly to robots and to Jarvis. And then we learn why, and that's when I really fell in love with this movie. 

The whole post-traumatic stress disorder plot really impressed me. It just adds a really nice layer to this epic series of films. Aliens can't just show up and destroy New York City without lasting repercussions. At the end of The Avengers we saw Tony Stark, a relatively new superhero, fly a nuclear bomb through a portal to another galaxy. It was expected to be a suicide mission for him. He survived, but he can't just pretend that didn't happen. I love it.

That food they are eating looks really good. When he bolts out of the restaurant I was like "But the food!"

That food they are eating looks really good. When he bolts out of the restaurant I was like "But the food!"

DH: Absolutely. Cap is a soldier, Thor is a warrior god, Black Widow is a superspy, but until fairly recently, Tony was just an inventor and a rich jerk. So to go from that to fighting off an alien army with the fate of the world at stake...there would have to be some fallout.

RG: Tony being on the verge of a nervous breakdown also gives us a great reason for him to build many, many new suits. They are all fun to see. I love the scene where Pepper comes home to what she believes is Tony lounging on the couch in a new suit, but turns out to be a remote controlled suit.

Possibly the funniest image in film history.  

Possibly the funniest image in film history.  

I think this movie does so much work developing Tony Stark. This is the fourth movie that he has played a major role in, but I think this one goes way deeper than the other three combined. He's much more human, but also much more heroic.

We have a new winner for funniest image in film history.  

We have a new winner for funniest image in film history.  

What’s important to me in honoring Favreau and what he’s contributed with the first movies, which I went back and watched again and again, is they’re part-thriller, and there’s also a lot of romantic comedy. The extent to which rom-com figures in the early Iron Man movies is substantial. The relationship stuff — what some people might unkindly call the soap opera stuff — is just as important in some ways as the technology and that was amazing to me. Make them care about the people, make it funny, and then have the mythic stuff that’s sort of dark and powerful and portentous and then take the curse off that, take the piss out of the myth if you can. It’s just juggling.
— Shane Black, Moviefone, 2013

RG: I remember feeling kind of uneasy in the theatre during the first Mandarin TV spot. It just seemed too real to be enjoyable in the context of a silly blockbuster. But, of course, it's one of several things in this movie that isn't what it seems.

DH: Watching it this time, in the context of things like ISIS, those videos were a lot more troubling to me now than they were when the movie was released. But as you say, they’re not what they seem, and I feel like the ISIS videos didn’t really ramp up until after this movie. If Iron Man 3 came out now, it would come across as pretty insensitive. But as it is, it’s just a case of incredibly unfortunate timing.

I wanted a voice that would disconcert a Western audience. I wanted a voice that would sound far more homegrown and familiar — a familiarity like a teacher’s voice or a preacher’s voice. The rhythms and tones of an earnest, almost benign, teacher — trying to educate people for their own good. Therefore, that’s the timbre that I used for him. I think it would be more disconcerting and threatening to hear almost a patriarchal voice rather than a screaming, ‘villainous’ voice.
— Ben Kingsley, The Huffington Post, 2013
My favourite Primitive Radio Gods song.

My favourite Primitive Radio Gods song.

RG: Putting Tony in this small town in Tennessee for a decent chunk of the movie is a pretty neat move. For one thing, it eliminates the mystery of why the Avengers aren't helping Tony out. For another, it places Tony outside his comfort zone. And for another THAT KID!!!

Let's just go ahead and make this kid Rick Jones.

Let's just go ahead and make this kid Rick Jones.

Tony's interaction with the kid in Tennessee is incredible. I laughed so hard when the kid told Tony his dad went to go to the store six years ago and never came back and Tony says "Which happens, dads leave. No need to be a pussy about it." Every conversation they have is so great. "Do you know what this crater reminds me of?" "I don't care."

DH: The scenes with the kid should have been terrible, as many scenes with a wisecracking kid can be, but they are really funny. Props to Ty Simpkins’ performance, but also to Drew Pearce and Shane Black’s script.

Speaking of which, Shane Black was the perfect choice to direct this film. I love that he helped RDJ along the comeback trail by having him star in his last movie, Kiss Kiss Bang Bang, and it seems like RDJ returned the favour by bringing him on board to direct this movie. I love Black’s 1980s output, like Lethal Weapon and his work on the screenplay for The Monster Squad, and I love how much this movie fits in with his best-known work. It’s kind of a buddy movie (Tony and the kid, Tony and Rhodey, etc), it’s set at Christmas, and like Lethal Weapon, the plot hinges on emotionally-damaged veterans on both sides of the fight.

RG: I think Iron Man 3 might be my favourite Christmas movie now. Shane Black is the master of writing Christmas action flicks, including one of my favourites, The Long Kiss Goodnight.

Festive! 

Festive! 

DH: He also adapts to the style that has been already set down in these movies quite well, while adding his own flourishes. Like having the real-life TV talking heads weigh in on Tony’s latest predicament. Which reminds me, is this Joan Rivers’ last big-screen appearance?

RG: Yes it is! I got real sad when she showed up on screen. Her bit was funny, too!

Adam Pally is delightful in his brief appearance as a Tony Stark superfan. I would have loved to have seen someone like that play Hawkeye.

The glasses and facial hair!!! 

The glasses and facial hair!!! 

DH: He has a line about either his Tony-style hair/goatee combo, or his Tony tattoo, where he says “I had them style it after a doll I made”, that killed me. This scene has a fun companion in Winter Soldier, with D.C. Pierson in the Apple store. I love these little moments of regular folks interacting with superheroes.

RG:  Let's give it up for Ben Kingsley, who is amazing in both roles that he plays in this movie. That twist is so unexpected and so funny.

Ben Kingsley giving the performance of his career.  

Ben Kingsley giving the performance of his career.  

DH: If I were a bigger fan of the Iron Man comics, I would probably be a bit disappointed that we didn’t get an actual Mandarin in this movie. But I think the twist here is so well executed and funny that it’s hard to be upset about it. One of my favourite gags in this movie is when Tony makes Mandarin/Slattery’s girlfriends lock themselves in the bathroom after Slattery has just befouled it. If you listen, you can hear the girls say “Ew!” when they are locked in there.

Just the best.

Just the best.

RG: Yes, that's amazing. His performance as that loser actor is so funny. Especially after his legitimately terrifying performance for the first half of the movie. I think maybe it was smart to avoid putting The Mandarin for real in this movie just because that character is a little problematic. And by that I mean "racist." This was a clever way to play it.

Don Cheadle is great in this movie and I am really looking forward to seeing him in Age of Ultron.

Never thought I'd be on a boat...

Never thought I'd be on a boat...

DH: For sure. “Little knock and talk, makin’ friends in Pakistan…” more great dialogue. And as I said earlier, I love that the third act is like a buddy cop movie with Rhodey and Tony. It occurred to me that Rhodey getting his own suit of armour might be the only major consequence from Iron Man 2, and therefore the only reason to watch it. And even then, I wouldn’t recommend it.

RG: Yeah, well, this movie shows that there are better uses for the suit than to stop Tony from making a drunken fool of himself at his birthday party.

There is a laugh a minute in this movie. The "honestly, I hate working here. They are so weird" henchman is so great.

Best performance by a one-line actor appearing in a Marvel film.

Best performance by a one-line actor appearing in a Marvel film.

DH: I wrote that down too! One of my favourite lines as well. Another minor quibble--Tony is kinda bloodthirsty in this movie. Earlier on, he vows to kill the Mandarin, and in this scene, he talks repeatedly about which henchmen he’s going to kill first, then he does appear to kill (or at least, shoot) several of the bad guys. I think maybe Shane Black forgot it was a superhero movie and thought he was just making another action movie. Oh well. It’s all still fairly bloodless, at least.

RG: True, but Tony totally kills the hell out of everyone in the first movie too. He definitely has no problem killing people who attack him or his loved ones. And I guess the whole situation with Pepper being captured and tortured and possibly killed makes Tony a little murdery.

That Air Force One rescue scene is so great. Another great reveal at the end.

Kind of surprised no one died of a heart attack.

Kind of surprised no one died of a heart attack.

DH: I was a little worried that they had shown us too much of that scene in the trailers, but it is still a thrilling set piece. It nails the thing I love so much about the best superhero stories--the hero being presented with an impossible challenge where it seems inevitable that they can’t save everybody, but they somehow find a way to do it. I am way more interested in seeing that than I am in seeing how they fail, and a bunch of people die, and they have to deal with the consequences. That’s how real life works, sadly, and I don’t necessarily want my superhero stories to reflect real life. They’re supposed to provide an escape from it.

RG: Oh yeah. Absolutely. That mid-air rescue was so thrilling and was something that really only Iron Man could do, as far as the Avengers go. It not only required his suit, it required his genius and ingenuity, and also his charm because he had to get through to those people as they were plummeting to their deaths.

"You've got me? Who's got you?!"

"You've got me? Who's got you?!"

DH: This movie has so much more action than Iron Man 2, and it’s all an improvement. And to get back to the dialogue one more time, it is a movie that is stuffed to bursting with great lines. I love the exchange between him and the Extremis-enhanced lady in the kitchen, where she says “Is that all you’ve got? A cheap trick and a cheesy one-liner”? And he comes back with “Sweetheart, that could be the name of my autobiography.”

It’s weird that both this movie and The Winter Soldier feature the hero running around out of costume for the bulk of the running time. Normally that would stick out as a cost-saving measure, or an attempt to trick people into thinking they’re watching anything but a superhero movie, but Tony Stark and Steve Rogers are so well-defined by this point, and we have so much invested in them, that it doesn’t matter that they’re in civilian clothes for the entire middle act.

Getting too old for this shit.

Getting too old for this shit.

RG: I was 100% fine with Steve Rogers not wearing a costume. Especially fine with him not wearing a mask. He could have been wearing less, even. I can't wait to write about that movie.

I'll say this, too: Tony Stark looked good in this movie. Not a lot of weird tinted glasses or flashy clothes. Plus his facial hair is a little more filled in due to being on the run for most of the film. For real I wish RDJ would stop with the tinted glasses in real life. He's so handsome! His eyes are his best feature! Stop with the weird glasses!

I really like Pepper’s role in this movie too. I like her being both exasperated with, and concerned about, Tony. I like her hanging out on the run with Rebecca Hall. I like her kicking Killian’s ass at the end, and then being kind of horrified about it. I am a fan of Paltrow as Pepper.

Actually just a paparazzi photo of Paltrow.

Actually just a paparazzi photo of Paltrow.

It was important, especially to take the curse off the damsel in distress thing. I have a hankering for empowered females trashing stuff. Especially when that stuff includes this metal suit that’s been impinging on their relationship. Literally showing up in their bedroom at night and driving her to distraction. It’s in essence Tony’s lover. It’s become the other woman. This f—-ing Iron Man. So she, at the end, has a chance to exact some vengeance on it and reclaim her boyfriend.
— Shane Black, Moviefone, 2013
Gwyneth is... to me, the moment that we knew that this was going to be special six years ago was when Gwyneth walked into the Howard Hughes stages down in Playa Vista and we started rehearsing with her. That’s when we knew. The best.
— Robert Downey Jr., Empire, 2013

RG: This movie was supposed to be the last Iron Man movie, although now there are rumours that there will be an Iron Man 4. And why not? Robert Downey Jr makes like a hundred million dollars for each of these movies. May as well! But the ending of this movie was supposed to be a nice finish to the trilogy, and it was great. I will miss the glowing arc reactor on his chest, though. It looked super cool. I love the moment when he finds the little screwdriver in the rubble of his former home. And that he has his robot friends piled into a trailer behind his car.

I’m not stupid. I like to play ball. I love the company, I love the character, and the people I get to work with and then there’s just the business side of things. I’m not too picky about that either. Let’s see what happens. Chances are... I don’t know... I also take the audience very seriously. I feel bad when I see folks doing movies and the audience is like, ‘Don’t do that anymore.’
— Robert Downey Jr., Empire, 2013
Off to build Ultron!

Off to build Ultron!

RG: The credits, as per usual, are rad, and provide a nice look back at all three movies. And, oh God, that scene at the end of the credits is MY FAVOURITE! Yet another fantastic reveal at the end of a movie that has so many. Why was the whole movie narrated by Tony Stark? Because he was telling the whole thing to his long-suffering pal Bruce Banner! For real, Tony, get a real psychiatrist. You definitely need one.

Hey, just be glad you weren't around to listen to the plot of Iron Man 2, Banner.  

Hey, just be glad you weren't around to listen to the plot of Iron Man 2, Banner.  

I'll wrap this up by saying that I love Robert Downey Jr. and I am thrilled the he has signed on for Civil War. He just joined Instagram recently and I would recommend following him, especially during this Age of Ultron press tour. He is truly earning the all-the-money-in-the-world they are paying him.

Up next, we go back to Asgard for Thor 2! I can never remember the subtitle!

Countdown to Age of Ultron: Thor Revisited

We are not even at the halfway point, guys. Seriously, ten years ago, would you have ever thought there would be so many great Marvel movies to watch, with so many more on the horizon? It's crazy!

For whatever reason, I did not see Thor on opening night. I think it had actually been in theatres for awhile when I finally got around to seeing it. I really have no idea why. Even more puzzling is the fact that I didn't bother to see the second one in theatres at all. Weird, considering I love Thor as a character, was looking forward to this movie, and both films heavily feature Chris Hemsworth's arms.

Whosoever has these arms, if he be handsome, shall be cast in the role of Thor

Whosoever has these arms, if he be handsome, shall be cast in the role of Thor

Let's get thunderstruck!

RG: The opening is super Lord of the Rings, but I think that's a good call for this movie because Thor is a weird ass character and it's helpful to give audiences a reference point.

Less is more is not a rule that applies in Asgard.

Less is more is not a rule that applies in Asgard.

DH: I like that in the movies, Asgard and its people are basically space aliens who influenced early human civilizations, rather than having them be the actual Norse Gods. I don’t think that’s from the original comics (in fact, it’s a lot closer to Jack Kirby’s Eternals), but honestly, I’ve never been super into Thor’s solo comic adventures--I mostly knew him as one of the Avengers. So it very well could be an older idea, but either way I think it was the right approach.

RG: Yeah, if you read the very first Lee/Kirby Thor comics they are pretty weak. It definitely feels like they realized there was a perfectly good public domain character they could write comics about in a hurry.

"Many women will be surprisingly into you when you grow up, Loki."

"Many women will be surprisingly into you when you grow up, Loki."

Good casting on kid Thor and kid Loki. Those kids look like their adult counterparts. Really everyone in this movie looks perfect. And I was THRILLED to see Renne Russo.

I love Chris Hemsworth's Thor voice so much. It's perfect. In general the guy has a great voice.

Yup. That guy looks like Thor.

Yup. That guy looks like Thor.

DH: Like with RDJ, the casting of the lead could have made or broken this movie, and Hemsworth is pretty much dead on. He is superhumanly huge. He TOWERS over Natalie Portman. He covers all the facets of Thor very well--lusty brawler, arrogant prince, but basically a good dude. He definitely makes you believe that he’s a super viking from space, which is certainly something that most actors couldn’t pull off.

RG: Thor is remarkably chill, like, one day after he falls to Earth. Just joking and flirting with Jane. I guess he's just being cocky because he figures he'll grab the hammer and head home soon.

I think this movie has too many action scenes are are so dimly lit that you can barely see what's happening, but what you can see is pretty awesome.

Did they win? Is that Thor? What's happening?

Did they win? Is that Thor? What's happening?

DH: Had Kenneth Branagh really done anything like this before? I think that, considering he was primarily known for directing Shakespeare adaptations, he did pretty well with all the action and special effects. One thing is certain, he likes his canted camera angles!

RG: Yes! Like every shot is diagonal! I guess that's the only way you can fit Loki's horns into a frame.

I think the attraction for Natalie to a film like this was Kenneth Branagh’s involvement. At that time in my life, I wasn’t in a position to pick and choose who I wanted to work with. I just needed to pay the rent, and I was excited to be involved with something on this scale. I was signed up either way! This is by far the biggest thing I have ever been involved in and there is more anticipation than anything else.
— Chris Hemsworth, Interview Magazine, 2011

DH: I get the sense that these movies are hard on directors (which we’ll get into in more detail when we talk about the sequel). I don’t know if has to do with trying to maintain a specific tone, while trying to keep the studio happy, or what. But they have the most directorial turnover of any series in the MCU to date. I don’t think the third one even has a director yet.

What I was interested in was the family saga. I think everybody was having trouble arriving at the right way to tell the story, and I was fairly clear about wanting to have a significant proportion of it on contemporary Earth.
— Kenneth Branagh, The Hollywood Reporter, 2011
"No one rocks like Asgard!"

"No one rocks like Asgard!"

RG: You get a really good sense of how powerful the hammer is early on. I think they do a good job of that. Apparently the prop had some weight to it to make it more realistic when it was being swung around.

When Odin is ripping parts of Thor's uniform off saying he's unworthy I'm like "Yeah! He's unworthy of his shirt, too!"

I could write, like, nine or ten paragraphs about the scene where Thor is roaming around with no shirt and very low slung jeans.

Ridiculous.

Ridiculous.

DH: I’m a little surprised you haven’t already.

RG: You can refer to my fanfiction trilogy: Thor and the Low Slung Jeans of Destiny.

I remember skyping with Kenneth (Branagh) when he was already in LA working on the film and I was still in London, and he said he wanted me to have a look at two performances. One was Peter O’Toole in the Lion in Winter, he plays Henry II with a degree of emotional volatility that is unpredictable. He’s capable of being incredibly charming and very dangerous in a second, and the second thing he said to take a look at that might seem left field is Charlize Theron’s performance in Monster.
— Tom Hiddleston, Screen Crave, 2011

Obviously we have to talk about what an amazing breakout role for Tom Hiddleston this movie was. He is just perfect as Loki and I am so glad they used him in The Avengers. They did such a great job bringing that character to the screen and making him so layered and sympathetic. I love a complicated villain.

Surprisingly not silly looking.

Surprisingly not silly looking.

DH: It’s weird--I don’t feel like Hiddleston/Loki’s popularity really exploded until The Avengers. Something about the combination of his performance and Joss Whedon’s writing really seemed to click with people.

RG: I’m not one of those ladies who is nuts for Tom Hiddleston, but he seems like a cool guy and he certainly serves face. I mean, ladies talking like he’s hotter than Hemsworth and that is just plain crazy. I mean...

Seriously, what?!

Seriously, what?!

Hiddleston and Anthony Hopkins brought a lot of dignity and quality to this movie. Kenneth Branagh classes things up, too.

DH: Hopkins is fine, but it also feels like he stopped trying back in the ‘90s. He pretty much sleepwalks through the sequel. Although frankly, I don’t think this part required a lot from him.

RG: He just had to look cool and be British.

"Do you have any Norse in you? Would you like some?"

"Do you have any Norse in you? Would you like some?"

I was always pretty hard on Natalie Portman in this movie, but honestly she's very sweet and charming as Jane Foster. I mean, it's a weird version of the character that is nothing like the comic book character, but she's enjoyable enough. I think the bigger problem is how boring most of her scenes are, and how forced the romance is.

DH: True, but at least nobody takes her hostage or anything like that, which I suppose is a kind of progress.

RG: That is an excellent point! They take her research hostage instead. She is a legit smart, cool lady.

RG: The first time I saw this I did not at all notice that Hawkeye was in it. I actually remember that you asked me what I thought of Hawkeye in the movie and I was like "huh?" Like, I didn't even notice that it was Jeremy Renner. I do remember thinking "a bow and arrow. That's a weird detail." I am going to blame all of this on my sleep deprivation at the time.

I'm Hawkeye, I guess?

I'm Hawkeye, I guess?

DH: As character introductions go, it is incredibly half-assed.

RG: Also: ugly, short and boring.

In Thor, I had to just stand in a bucket and hold my bow and arrow. What’s the character? I have no idea.
— Jeremy Renner, Collider, 2011

RG: Is Thor controlling the weather in the scene where he goes to retrieve his hammer, or is that just a coincidence? Can he still bring the thunder?

DH: I don’t think so, but I think Kenneth Branagh just instinctively knew you’d enjoy seeing Thor in a wet t-shirt.

RG: I did! And I also appreciated that the inclement weather set up a long and gratuitous mud wrestling scene!

I would like a mud wrestling scene between Thor and Captain America in Age of Ultron, please.

I would like a mud wrestling scene between Thor and Captain America in Age of Ultron, please.

I think for the first time I am appreciating how well directed this movie is. You know what scene is really cool? When Thor is being held by S.H.I.E.L.D. and Loki shows up. It looks very cool, and I love Loki's dapper Earth clothes.

He should magic himself some better hair, though.

He should magic himself some better hair, though.

DH: That is a popular costume at conventions. Pretty inside baseball, but also kind of lazy.

RG: Ha! I would like to see guys at conventions dressed as Thor in that scene where he's serving everyone breakfast. Adorable!

The dishtowel!

The dishtowel!

RG: I always thought it was weird that Selvig orders a couple of Boilermakers when he's hanging at the bar with Thor, but I think it was just a way to get a giant beer stein into Thor's hand, which is what we all wanted to see. Also, those two getting drunk together is magic. I would have liked another 45 minutes of that.

Or a podcast: Drinkin' with Thor and Selvig.

Or a podcast: Drinkin' with Thor and Selvig.

DH: There’s a weird little Hulk reference with Selvig that I had totally forgotten about, where he mentions that he knew a scientist who specialized in gamma radiation that disappeared when S.H.I.E.L.D. showed up. Does he mean Bruce Banner? Do they even have any scenes together in The Avengers?

RG: Yeah, I noticed that reference, but you are right. I don't think they acknowledge each other in The Avengers at all. But that's something to watch for!

Everything about Heimdall is awesome.

Kind of a waste of Idris Elba's handsome, handsome face, though.

Kind of a waste of Idris Elba's handsome, handsome face, though.

DH: Yeah, he’s great. His matching golden eyes and armour are rad, and I love his spooky voice. I really like Sif and the Warriors Three, too. I think it’s weird that they cast Ray Stevenson as Volstagg instead of an actual big fat guy (imagine John Goodman in that part!), but I like that, since he played Frank Castle in Punisher: War Zone, it’s another bit of Marvel crossover casting to drive fanboys nuts (like Chris Evans being both Johnny Storm AND Steve Rogers). I wish Jamie Alexander had more scenes as Sif because she’s totally badass. I think she had a bigger part in the sequel but it got cut down a lot. I guess she’s occasionally on Agents Of S.H.I.E.L.D., but let’s face it--no one wants to watch that.

Seriously perfect.

Seriously perfect.

RG: Yes, Sif and the Warriors Three look perfect. They are the Howling Commandos of this movie. I love Sif, but not enough to watch Agents Of S.H.I.E.L.D. And as far as I am concerned they can cast Chris Evans as every other character in the Marvel universe if they want. Although I am sure if you search this blog hard enough you'll find some ancient post where I think it's weird that they cast Johnny Storm as Captain America. I was WRONG.

I'd also like to note that Loki looks so great in the throne room when he's in full Loki mode.

I'm worried about his neck.

I'm worried about his neck.

RG: I guess the campfire scene with Thor and Jane does a lot to build the romance. I mean, it's not at all hard to see why she would fall instantly in love with him. Believe me, Jane, I get it.

How does she not just burst into flames?

How does she not just burst into flames?

But it seems like kind of a stretch that Thor would be so besotted with her. It's just...he's Thor. And they spend like a few hours together total. I think the movie is just missing a scene that would really sell me on why he's so in love with Jane. Like, she needs to do something more than just give him a lift somewhere. I think the excellent Roger Langridge/Chris Samnee comic series, Thor: The Mighty Avenger may have ruined me for this movie. That is some damn good Thor and Jane storytelling.

"So...do you like thunder?"

"So...do you like thunder?"

RG: I think the middle of this movie is just generally a little hollow. It feels a little rushed and there isn't a whole lot of character development. When I think about Captain America: The First Avenger there's such a huge difference between these movies. In Captain America the characters are so well established so quickly and there are so many memorable scenes. Thor is kind of forgettable, which is weird because it's probably the most visually impressive movie, with fantasy worlds and epic battles. And there are definitely some solid emotional moments, mostly from Loki.

Pretty cool, I guess.

Pretty cool, I guess.

DH: The real world/fantasy elements aren’t always balanced very well. I don’t know what the solution would have been. I sometimes think it might have been cooler if they kept the mystery of whether he really is Thor--or just an especially buff mental patient--going for awhile. With all that prologue stuff, we in the audience know he’s the real deal, but we have to sit through more than half the film with the human characters in the movie trying to figure it out.

RG: I love when Coulson shows up at the end of the Destroyer fight, when Thor is looking all Thor, and says "Donald, I don't think you've been completely honest with me." Coulson as a character really comes into his own in this movie.

DH: Yeah, and Thor immediately calls him “Son of Coul”! I forgot that line. Pretty funny.

"Yeah, so it's on Tuesday nights on ABC. You should check it out!"

"Yeah, so it's on Tuesday nights on ABC. You should check it out!"

RG: I think this movie gets better every time I see it. There are a lot of laugh out loud moments. Like when Thor goes into that pet store and demands a horse, and when he learns they only have cats and dogs asks for one big enough to ride.

I hate that Thor's mom gets knocked out immediately when she tried to defend Odin against the frost giants. I love in the second movie when Frigga totally gets to kick some ass.

I love when Thor puts the hammer on Loki after their fight like a paperweight.

Mondays, am I right, Loki?

Mondays, am I right, Loki?

DH: Me too! He must have done something similar to someone in the comics at some point, but I’d never seen it.

RG: Here is something that we REALLY need to talk about: the garbage Foo Fighters song that plays over the credits. Like, what the hell? Took me right out of it. Thank God they stopped doing that shit for these movies. I'm right about that, right? There isn't, like, a Weezer song that plays over the Avengers credits, right?

DH: No, but there is a very mediocre new Soundgarden song, so you’re kind of in the right ballpark. And for this movie, I’m guessing the rights to “God Of Thunder” by Kiss were too expensive? I mean, they did use Black Sabbath in Iron Man, so it should have been a no-brainer!

RG: There is? Seriously? I don't remember the Soundgarden. Also, “Thunderstruck” by AC/DC was used in Iron Man 2 so that's out, too. Maybe “Lightning Strikes”, or “Knock on Wood”?

DH: It’s also very cool that Walt Simonson got to do a cameo in the banquet scene on Asgard at the end.

RG: I swear to God I remember the opening scene of Captain America, where they find him in the ice, being tagged onto the end of this movie. I guess I am crazy.

DH: The heart wants what it wants, I suppose. And what your heart always wants is more Cap.

RG: ‘tis true!

"I'm going to be so rich!"

"I'm going to be so rich!"

At this point I am super excited to watch/finally write about Captain America: The First Avenger. My love for that movie is INTENSE. I know Dave feels the same way, though probably with a little less lust.

10 Things I Love About the Chris Evans Ice Bucket Challenge

We need more fundraisers that involve soaking attractive men with buckets of water.

1. The Halloween buckets;

2. His explanation of how ice water works (he is completely right about this: fresh ice cubes are just gonna fall on the floor. Not impressive);

3. The family house he’s hanging out in that looks like everyone’s family house;

4. The kid who nails him with an extra bucket of water at the end. That’s totally a move my son would use;

5. The people he challenges (Sebastian Stan! Anthony Mackie! Tilda Swinton!);

6. The suit!;

7. The beard;

8. He prepares his own ice water while we watch, and laughs at his inability to flawlessly dump ice out of a bag into buckets;

9. His family looks adorable. Is that other hot dude his brother? If so, well done, Evans parents;

10. A soaking wet Chris Evans.

I’m gonna donate to ALS for this one. Still waiting for Mark Ruffalo’s. Make with the bucket, Mark!

CAPTAIN AMERICA: THE FIRST AVENGER, A Mostly Spoiler-Free Review!

 This was starting to look like the summer that the superhero movies needed a superhero to save them. Thor was decent but hardly godlike, X-Men: First Class buried its promise beneath scores of uninteresting secondary characters, and Green Lantern was a forgettable, by-the-numbers affair at best. When it looked like all hope was lost, though, Captain America: The First Avenger roared in on a souped-up Harley and saved the day with an appealing lead, a winning supporting cast, and an affectionately retro sensibility.

 

Captain America begins with a present-day prelude that manages to evoke Aliens, The Thing, and Close Encounters Of The Third Kind all at once, with a research team finding a mysterious airship buried in the arctic ice. Within it is the perfectly-preserved body of a visitor from another era. From there, we flash back to the darkest days of World War II, where Hitler’s chief weapons designer, Johann Schimdt (Hugo Weaving) lays claim to a mysterious otherworldly cube, hoping to harness its powerful energy for his own evil schemes. Meanwhile, in the U S of A, a scrawny Brooklyn kid named Steve Rogers (Chris Evans) is once again trying unsuccessfully to enlist in the army; the 98-pound weakling’s history of illness has him declared 4-F, but all he wants is to serve his country (seen in the film’s trailers, the effect of placing Evans’ face on a much smaller actor’s body is a startling but ultimately convincing effect). Catching the attention of Dr. Abraham Erskine (Stanley Tucci), Rogers is eventually accepted and fast-tracked into a secret military project to create a series of super-soldiers who can defeat the Nazi menace. Injected with experimental formulas and bombarded with “vita-rays”, Rogers is transformed from a scrawny wimp into, well, Chris Evans. An assassin’s bullet ensures the project can never be duplicated, making Rogers a one-of-a-kind hero. Seen by the army as being too valuable to possibly lose in combat, Rogers is sent overseas in a star-spangled outfit and paraded around with showgirls in a series of USO performances. Still, Steve volunteered for the experiment so he would have the chance to save lives, so when he finds out that the platoon of his childhood pal Bucky Barnes has been captured by Schmidt’s nefarious Nazi sub-division, HYDRA, our hero rushes off to save the day, and the career of Captain America begins. Before long, he’s wearing a more practical version of his familiar outfit, and toting around an indestructible shield designed by Howard Stark (father of Tony, AKA Iron Man).

 

Directed with the same affection for the period he brought to The Rocketeer 20 years ago, Joe Johnston’s Captain America is full of earnest, gee-whiz spirit. It’s a colourful, humourous, action-packed blast, helped along by a robust score from Alan Silvestri (Back To The Future, Predator). Early detractors wondered whether or not Chris Evans would be right for the role, having already played a Marvel hero as the Human Torch in the Fantastic Four films. They needn’t have worried—he is an actor, after all, and the cocky Johnny Storm is nowhere to be seen (although longtime Marvel fans should keep their eyes peeled during the World’s Fair sequence for a reference to another Human Torch). His Steve Rogers is a likeable do-gooder, eager to save as many lives as he possibly can. It’s a refreshingly un-ironic performance; when asked by Dr. Erskine if he wants to kill Nazis, he responds, “I don’t want to kill anyone. I just don’t like bullies”. Hayley Atwell provides the love interest as British agent Peggy Carter, thankfully never reduced to the role of screaming damsel-in-distress, and Tommy Lee Jones enjoyably chews the scenery as Cap’s military overseer General Chester Phillips. Hugo Weaving is nice and dastardly as Johann Schmidt and his crimson-faced alter ego, the Red Skull, and Toby Jones snivels admirably as his sidekick, Dr. Arnim Zola.

 

It’s become a common complaint lately that the recent spate of Marvel movies (The Incredible Hulk, Iron Man 2, and Thor) have all merely been trailers for 2012’s Avengers film, which will see the heroes team up for the first time. Captain America: The First Avenger had me leaving the theater much more excited at that prospect than any of the above-mentioned films did, but it also stood perfectly well on its own, even with its wraparound present-day sequence that brings the hero into the present day. I personally can’t wait to see how Evans’ Cap fits into the 21st century, both in The Avengers and, hopefully, a solo Captain America sequel. Easily the best Marvel movie since the first Iron Man, and probably my personal favourite since the original 2002 Spider-Man, Captain America: The First Avenger makes the old-fashioned seem new again. Now let's just hope that Toby Jones' Arnim Zola shows up in a sequel looking like his comic-book counterpart: 

"It's Your Kids, Marty! Something's Gotta Be Done About Your Kids!"

 Wow, Marvel really stepped up their campaign to destroy me this week, releasing Enter The Heroic Age, Heroic Age: Age Of Heroes, and Heroic Age magazine all in one week, making the accounts pull a frustrating and confusing experience (having the Heroic Age banner on Avengers, Atlas, and Deadpool, not to mention all the Heroic Age variant covers, really didn’t help). So, just to get back at them, I am going to be totally childish and use a couple of panels from Ultimate Avengers II #2 out of context to make Bruce Banner look racist:

 

Oh, Bruce. “You people”? Poor choice of words, buddy. Anyway, as you may have guessed, The Heroic Age kicked off proper this week with the launch of the brand-new Avengers ongoing series by Brian Michael Bendis and John Romita Jr. (to be followed up by New Avengers, Secret Avengers, and Avengers Academy—apparently, Marvel wants to keep using the word Avengers until it has completely lost all meaning). This debut issue features the new team lineup of Captain America, Thor, Iron Man, Spider-Man, Wolverine, Spider-Woman, and Hawkeye, overseen by Maria Hill in the Henry Peter Gyrich role, I guess.

Strangely, though, only the characters who have been in, or will soon be appearing in, major motion pictures made the cover. Funny that, eh? Kang shows up to crash their launch party by telling them, Doc Brown style, that their kids are going to ruin the future and screw up the timestream or something and they have to come into the future and help save it. Bendis continues to aim straight for the lowest common denominator here; it’s all awkward dialogue, unfunny banter, and time-travel mumbo jumbo, with a good dose of “Let’s run and fight!” thrown in for good measure. I’m glad to see Clint Barton back as Hawkeye, but it doesn’t happen in any kind of dramatic or cool fashion. He just shows up and is Hawkeye. With all the Siege crossovers, couldn’t there have been a moment where Bullseye/Hawkeye suddenly switches sides, and we realize that Clint had beaten up Bullseye and taken his costume back so he could infiltrate the Dark Avengers? Something, anyway! Anything would have been better than just, “Hey, it’s me, I’m Hawkeye again”, and him and Spidey make a few dumb jokes about it or whatever. Sorry, my inner Hawkeye fanboy got away from me there for a second. Like Siege, this feels like it was thrown together in a hurry, and maybe I’m expecting too much of it, but it’s sloppy and I don’t like it. So there.

 

A much better Heroic Age book this week was Atlas #1 by Jeff Parker and Gabriel Hardman. It spins out of the now-defunct Agents of Atlas series, riding a crest of publicity for these characters that its predecessor never had (lots of guest appearances and spin-off miniseries led up to this relaunch). The Atlas team is composed of the modern incarnations of various 1950s Marvel characters who were published separately under the old Atlas publishing imprint, and is a fun bunch of science fiction archetypes—a Goddess (Venus), a robot (M-11, the Human Robot), a spaceman (Marvel Boy), a talking ape (Gorilla Man), an Atlantean (Namora, cousin of Namor) and a secret agent (former SHIELD agent Jimmy Woo). Don’t be intimidated by all that has gone before, though—this new first issue tells its story from the point of view of new team member 3D Man, as he seeks out Atlas after being plagued by visions of the mysterious superteam, while being pursued by murderous aliens that only he can see (shades of They Live!). This is a fun, retro-tinged team book in the Mighty Marvel Manner, light-hearted but not goofy, while being serious yet not grim.

 Now, let’s finish out the day with this amazing scene from Stephanie Buscema’s story in the long-delayed and quite excellent Girl Comics #2 (featuring stories by Jill Thompson, Kathryn Immonen & Colleen Coover, and LBW pal Faith Erin Hicks!):

 

That Doom really knows how to enjoy his day off.

 

A Time-Travelling Island? I Bet That Pesky Kang's Behind It.

Sorry for the lack of posts lately, gang--we've all been super-busy working on our Halloween costumes, so there'll likely be one or two epic posts after the weekend with tons of crazy pictures. In the meantime, though, I thought I'd share a funny thing I noticed from this week's Marvel Previews. The cover story, of course, is January's Siege event, crossing over into all the Avengers titles. So, here's the cover, with the newly-unveiled Siege logo...

This looked instantly familiar to me, so when I got home I checked my DVD shelf and, lo and behold...

I could make any number of Lost/Avengers jokes here, but Tiina just started watching Season 1 this week, and I don't want to spoil anything. In fact, I may have said too much already.

PS...I'm probably setting myself up for disappointment, but I'm kind of excited about Siege. Not just because I'll be glad to see the ass end of Dark Reign, but Olivier Coipel is awesome and it means the return of the Big Three to the Avengers. Gee, do you think that might have something to do with that movie they keep talking about?