Ladies' Night at the Comic Shop

Last week, at Strange Adventures (the comic shop that keeps this blog knee-deep in Superman), we held our first ever Ladies' Night. Thursday evening, after regular store hours ended, Ladies' Night began. No dudes were allowed, and anyone who considers themselves a woman was welcomed in. It was only lady staff members working, and even the owner, Cal, was sent to near by bar to read comics and hang out with any dads, boyfriends or brothers who were dropping ladies off at the store.

The idea behind this event was that, I've found, when talking to women about comics, a lot of them tend to be super interested and excited about comics, but unsure where to start, and nervous about going into a shop and asking for recommendations. I love comics, and I work in comic shop, but I've still felt weird, uncomfortable and frustrated going into other shops. Why would I want some douche talking down to me about comics—something I love, and something that's supposed to fun? While I think Strange Adventures works pretty hard to be a welcoming place for anyone, all the time, comic shops on the whole tend to be unpleasant places for women. So we wanted a night where women could come in and browse, and ask myself and the other lady staff members for recommendations. 

Besides introducing the uninitiated to comics, we also wanted a night where women who are big comic fans could hang out, eat some snacks, get some freebies and buy some stuff on sale. Strange Adventures has quite a few women customers, and we thought it would be fun for them to get to meet each other.

So we bought snacks (chocolate—'cause ladies love that stuff, right?), made up a bunch of gift bags, did up a display of comics by female creators and comics that might appeal to women, sent the dudes away, opened the doors at 7pm and....

IT! WAS! OFF! THE! HOOK!

The first hour, the store was wall to wall, full of people. Our shop isn't huge, but you literally couldn't turn around without bumping into someone. We had over an hundred women in the store during this two hour event, and, if you're interested in bottom line, we made about as much money as we do on a busy Saturday, in a quarter of the time. It was insanely awesome.

People were seriously so stoked, to the point where one lady was shaking my hand, thanking me excitedly, saying, "I'm forty-five years old and I've never been a comic shop before! I love this stuff, but I've always felt too scared! You ladies are amazing!" I felt like someone paid her to come tell me exactly what I wanted to hear.

 After the first hour, the crowd settled into a busy-but-less-insane level, and I was actually able to make recommendations and have some good talks with people. We sold tons of stuff by women creators—lots of Alison Bechdel, and Faith Erin Hicks, who was at the event, hanging out and talking to ladies. Lots of Brian K. Vaughn, Neil Gaiman and Joss Whedon went too, and then all sorts of other stuff—almost as much variety as on a normal day.

It was nice to see solid proof of what I already know: women like comics! They like all different kinds of comics! They want to buy comics, so stop actively discouraging them! The masses of women that came to this event really showed how much it was needed. Everyone kept asking when the next Ladies' Night would be.

I know the comics industry is still a total sausage fest. It's changing, for sure, but it needs a big push. And as someone on the retail end of things, I'm trying my best to help.

You can check out more pictures on the Strange Adventures site, and read some press here and here

 

Lazy Picture Quiz Saturday

I spent an hour or so chipping ice off of a sidewalk yesterday, and as a consequence my fingers aren't working quite as well as they usually do. Also, the rest of my arms. Here, instead, is my one-panel picture quiz, featuring Superboy's robot pal Percy from Superboy No 9:

As for the quiz part: just who does that robot eerily resemble?

Last chance to enter the Micro Contest! Next week: the winners!

The Stunning Continuation of John Buys Comics

World’s Finest No 4 (of 4)

I liked this series. I can completely get behind a relatively uncomplicated yarn featuring the various members of the Superman and Batman families teaming up, with giant robots, yet. Sure there were some tie-ins to the interminable ongoing shouldn’t-have-been-stretched-out-this-long stuff going on over in the Superman books, but hey, how could they avoid that? The only real sour note was that they revisited that fun trend whereby since Stephanie Brown theoretically isn’t built like a supermodel then making cracks about her being fat or having small breasts or whatever is fair game. I think that I wouldn't be quite as enraged by it if she wasn’t drawn with exactly the same body as Supergirl, but how will I ever know?. Of course, if I started basing these reviews on realistic depictions of the female (or even human) form then I would quickly go mad.

I was going to say that it would have been really neat if they’d made this series quarterly and had the fourth issue be the triumphant return of both Superman and Batman, but I think that Superman might be coming back in a month or so, whereas Batman’s still a caveman, so that might be troublesome, scheduling-wise. I’ll take a Superman/Dick “Batman” Grayson team-up, no problem.

Several hours later, a thought occurs: they should have done a Jimmy Olsen/Commissioner Gordon team-up.

Demonic No. 1

This is the second of the “Pilot Season” books that Rober Kirkman and Mark Silvestri are doing at Top Cow. Last week was Murderer, about a man who has to kill to silence his telepathy and who kills to help people. This week: Demonic, about a man compelled to either murder criminals or to kill his wife and daughter. Once the other three books (Stealth, Stellar and Hardcore, presumably about people who are afflicted by how quiet, bright and eXtreme they are, but manage to do good anyway) have come out then you’ll be able to vote for them on the Top Cow website, with the winner becoming a miniseries. So far, my money’s on Murderer, not only because it’s got the best name of the bunch but because the protagonist of that book spent most of the issue carefully selecting someone bad enough to kill before carefully killing him, while Demonic mostly carved up police officers, and precision is a lot more fun to read about than Demon Wolverine.

Batman and Robin No. 7 - Morrison’s collection of British super-villains are pretty great - here’s hoping that they all don’t just end up as crowd scene death fodder in a year or two. Even better is the sheer ballsiness of the dues ex machine that he pulled to get Batwoman on the scene. I must applaud it for its blatancy. Also: the Beefeater finally has a semi-dignified appearance.

Chew No. 8 - I had honestly never considered how a ban on chickens would affect the sport of cockfighting. Come, join me. Weep for the cockfighters (Don’t worry: all of the cockfighters get beaten up).

Victorian Undead No. 3 - Moriarty, eh? If Irene Adler shows up next issue then we’ll know that someone else has gotten ahold of the Sherlock Holmes Cliches Checklist.

Superman: Secret Origin No 4 (of 6) - Man, that is both the worst Jor-El design I have ever seen and the worst Fortress of Solitude design ever. I know that the Fortress is one of those instances of movie continuity creeping into the comics, but what about poor old Jor? I say bring back the headband model.

Afrodisiac: Whoops, I didn't get to read this before self-imposed presstime, but Dave reviewed the hell out of it earlier this week so I don't feel as bad as I might. I do have to say, after reading the categories listed on the back of the thing:  “Hip Hop”? Afrodisiac is about Hip Hop?  Or is it that this is the new “urban”?

No Jive Suckas Allowed

 Filmmakers have found a wealth of material to make great sport of in the Blaxploitation genre; the Wayans Brothers spoofed Superfly, Shaft, Black Belt Jones, and the like in 1988’s I’m Gonna Git You Sucka, and Spawn and Dark Knight star Michael Jai White had a go at Soul Cinema in last year’s must-see indie Black Dynamite. Leslie Nielsen even got in on the act in a Seventies flashback segment of the third Naked Gun film, sporting an afro the size of a medicine ball. However, despite the prominence of afro-wearing superheroes in the 1970s (Luke Cage, Black Lightning, Black Goliath), most comics creators are eager to jettison the stereotypical baggage of that era, simultaneously updating and mainstreaming the characters (hence, Cage drops the tiara and ‘fro and joins the Avengers, etc.). Thankfully, cartoonist Jim Rugg and co-writer Brian Maruca have decided to embrace the tropes of the genre in their new AdHouse Books graphic novel Afrodisiac, and the result is a delicious throwback with a striking visual style and plenty of laughs.

 

The book’s titular character (spun off from his appearances in Street Angel) is a bell-bottomed, jive-talking, street-fighting superpimp endowed with trouble-alerting “Street Smarts”, as well as a way with the ladies. In a series of short strips (bookended by scarily accurate retro cover spoofs and pinups), Afrodisiac does battle with Dracula, Hercules, Richard Nixon, and a crazed supercomputer, even finding time to indulge in a sexy encounter with Death herself. Rugg and Maruca mock Marvel’s origin recaps in a series of first-page captions that offer an array of increasingly ridiculous and contradictory alternate origin stories for Afrodisiac, and at times, they even provide asterisked translations of the character’s street dialogue (much like Marvel did in a 1983 Falcon miniseries).

 

Rugg’s art recalls other indie favourites like David Lapham and Farel Dalrymple, but with its own easily recognizable idiosyncracies (Rugg has a gift for three-dimensional sound effects that fly like rubble during fight scenes, for instance). The lo-fi colour scheme evokes 1970s comics in a way that is not unlike Dan Clowes’ work on Eightball, and the spoof covers done in the style of Harvey and Gold Key comics for kids, romance books, and even Saturday morning cartoon intros, are dead on. Afrodisiac may not be for everybody—much of the dialogue and situations are not exactly politically correct—but if that doesn’t bother you, and you have a taste for retro silliness, throw on some Curtis Mayfield and enjoy this outta-sight gem.

 

Sweater Vests Never Really Caught on Like Capes Did

Consider this a companion piece to Rachelle's post on rejected Batman costumes from the depths of the 90s. Back in 1969, Dick Grayson finished high school - after only 25 years! take that, Archie! - and moved away to attend an institute of higher learning. A few readers took this opportunity to point out that maybe it was time for Robin to finally graduate from the hot-pants-and-pixie-boots look into something more... grown up. As Robin himself put it:

Yes, it was time for

So sit back and enjoy these fine examples of cutting-edge costume design, as determined by an earlier generation of comics fan.

I think that the upper right design on each page is my favourite. What about you?